Past Exhibitions

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This multimedia experience blurred the lines between visual art, movement, and sound — transforming the space into a breathing, reactive environment.

At the center was the Tesseract, a mirrored art cube by Nicky Alice that reflected and refracted its surroundings into kaleidoscopic portals. Surrounding it: live projection mapping, soaring aerial performances by Voler Aerial, and an original sound score by Stevie Cruz pulsing beneath it all.
Miami digital art fair
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Project: Laser Lew’s Laser Visions
Venue: Arvin Gottlieb Planetarium, Kansas City
Curated by: Digital Dreams
Status: Sold Out

Description:
In a groundbreaking crossover of retro-futurism and digital performance, Laser Visions by Laser Lew lit up the Arvin Gottlieb Planetarium with an immersive, audio-visual spectacle curated by Digital Dreams.

This sold-out event transformed the dome into a sensory vortex of custom laser visuals, synchronized soundscapes, and cosmic nostalgia, bridging analog techniques and digital projection in a way that honored both past and future.

xhibition: Digital Dreams – Inaugural Show
Date: April 2024
Location: Crossroads Arts District, Kansas City
Curated by: Mary McCawley / Digital Dreams

Curatorial Statement:
The inaugural Digital Dreams exhibition was a love letter to the Midwest’s growing digital art scene — a bold introduction to what happens when technology meets creative autonomy right here in Kansas City.
This debut collaboration between Digital Dreams and Transient Labs explored one of the most urgent themes of our time: Digital Identity — how we see ourselves through code, avatars, and creative algorithms.

Bryan Brinkman’s work sold out in under two minutes, a signal that the cultural appetite for thoughtful, intentional digital art is not just growing — it’s hungry.
Featured Artists: Dromsjel, Mirror, Tandemsegue, Ducky Animations, Michelle Thompson, Alejandro Peters, Second Sight Visuals, Krovblit

Featured artists pulled from fashion ads, propaganda posters, scientific diagrams, vaporwave palettes, glitch cycles — and rebuilt them as cultural critique, emotional narrative, or dreamscape. These weren’t just collages. They were conscious reconstructions of a collapsing visual world.